[{"id":262360563775,"handle":"all-books-1","title":"All Books","updated_at":"2023-03-20T17:35:01-04:00","body_html":"","published_at":"2021-11-06T08:19:16-04:00","sort_order":"created-desc","template_suffix":"","disjunctive":false,"rules":[{"column":"type","relation":"equals","condition":"Book"}],"published_scope":"global"},{"id":14049653,"handle":"books","title":"Books","updated_at":"2023-03-20T17:35:01-04:00","body_html":"All books from Lost Art Press are produced entirely in the United States. We use acid-free paper and tough bindings – our books's signatures are sewn and glued for durability whenever physically possible.","published_at":"2013-12-16T11:31:00-05:00","sort_order":"manual","template_suffix":null,"disjunctive":false,"rules":[{"column":"type","relation":"equals","condition":"Book"}],"published_scope":"global"},{"id":166162563135,"handle":"charles-h-hayward-collection","updated_at":"2023-03-20T09:35:04-04:00","published_at":"2020-08-14T11:56:41-04:00","sort_order":"manual","template_suffix":"","published_scope":"global","title":"Charles H. Hayward Collection","body_html":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThere is little doubt that Charles H. Hayward (1898-1998) was the most important workshop writer and editor of the 20th century. Unlike any person before (and perhaps after) him, Hayward was a trained cabinetmaker and extraordinary illustrator, not to mention an excellent designer, writer, editor and photographer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAdd to all that the fact that Hayward was, according to Robert Wearing, a “workaholic,” and you have a good picture as to why we spent almost eight years laboring to bring this book to life to honor his work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eAs editor of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Woodworker\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e magazine from 1939 to 1967, Hayward oversaw the transformation of the craft from one that was almost entirely hand-tool based to a time where machines were common, inexpensive and had displaced the handplanes, chisels and backsaws of Hayward’s training and youth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis massive project seeks to reprint a small part of the information Hayward published in \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Woodworker\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e during his time as editor in chief. This is information that hasn’t been seen or read in decades. No matter where you are in the craft, from a complete novice to a professional, you will find information here you cannot get anywhere else.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis collection includes all four instructional volumes:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e• Volume I: Tools \u003cbr\u003e• Volume II: Techniques\u003cbr\u003e• Volume III: Joinery\u003cbr\u003e• Volume IV: The Shop \u0026amp; Furniture\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn addition to the four green books, we have a fifth volume – \u003cstrong\u003e\"Honest Labour\"\u003c\/strong\u003e – that is a collection of Hayward's best essays on woodworking. \u003c\/span\u003eThese columns during the Hayward years are like nothing we’ve ever read in a woodworking magazine. They are filled with poetry, historical characters and observations on nature. And yet they all speak to our work at the bench, providing us a place and a reason to exist in modern society.\u003c\/p\u003e","image":{"created_at":"2020-08-14T11:58:56-04:00","alt":null,"width":1500,"height":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0306\/3197\/collections\/ww-all-5IMG_2568.jpg?v=1606169045"}},{"id":265849733183,"handle":"handwork-essentials","updated_at":"2023-03-20T17:06:26-04:00","published_at":"2022-11-05T11:46:10-04:00","sort_order":"manual","template_suffix":"","published_scope":"global","title":"Handwork Essentials","body_html":""}]
The fourth book in our series "The Woodworker: The Charles H. Hayward Years" covers three different topics.
1) The Workshop, including the design and construction of workbenches, tool chests and wall cabinets. There's also an entire section devoted to "appliances,"which are workshop accessories such as shooting boards.
2) Furniture & its Details, includes a discussion of all the important Western furniture styles, including their construction, mouldings and metal hardware. This section also includes the construction drawings for many important and famous pieces of furniture examined by Charles H. Hayward during his tenure at The Woodworker magazine.
3) Odds & Sods. In addition to offering its readers practical information for the shop, The Woodworker also asked it subscribers to think about the craft and its place in modern society. We have included many of our favorite philosophical pieces in this final section.
Like all Lost Art Press books, “The Woodworker: The Charles Hayward Years” is produced and printed entirely in the United States. At 336 pages, it is printed on smooth acid-free #60 paper and joined with a tough binding that is sewn, affixed with fiber tape and then glued. The pages are covered in dense hardbound covers that are wrapped with cotton cloth.
This fourth volume caps a 10-year effort to bring these books to life. It began with a team of woodworkers poring through every issue of The Woodworker magazine that Hayward edited between the 1930s and 1960s. After picking out thousands of articles, we chose the best. Then we reset all the text so the type was crisp and clear – this book is not simply fuzzy scanned text. All of the images were scanned and then processed with a proprietary software package to make them look as crisp as the originals.
